Painting on silk begins with luxurious pure white China silk stretched tightly on a frame.  I always have a design in mind and a plan for painting it.  Although I never totally control it, I try to feel the colors and image I am creating.  I use a pen that fades away after 24 hours to draw this image.  Then I must use a gutta resist to make the outline.  The purpose of the resist is to stop the flow of dye, and create a barrier, which makes the outline of the image.  When the gutta dries, then I can use my French dyes and start to paint with these vibrant colors using salt, alcohol, wet and dry backgrounds, and various techniques to achieve the needed results.  Often times I must just let my imagination run wild and discover something totally different happening than the original plan.  This type of art needs to be lucid and free, as the dyes are vibrant, pure, and intense and this evolves by "feeling" the colors.  After the painting is completed I let it dry and then steam it for several hours to set the dyes and increase the intensity of the colors.  Then they are bathed in alternating hot and cold baths to remove the gutta lines and any left over dyes.  Then they are towel dried and ironed.

This painting is very permanent and durable.  The silk pieces can be washed in cold water or dry cleaned.  It is not advisable to hang in direct sunlight.  Silk is a natural fibre, and in time direct sunlight would fade the colors and damage the silk.  Each of my paintings is unique, and one of a kind.